It would appear that the first foray into collecting art by George and Katherine Notman began in earnest in 1903 at an auction held by the American Art Galleries in New York. A New York Times newspaper article dated March 26, 1903 (page 9) begins with the headline “SALE OF COLMAN PAINTINGS – Artist’s Own Pictures and His collection of Other Canvases Bring $22,275.00 at Auction.” Interestingly, the article goes on to list each of Colman’s paintings by medium and title followed by the successful buyer. Additionally the American Art Annual, 1903-1904 edition (Vol. IV), also records the sale, by lot, title, size and buyer’s last name. A total of 17 paintings by Samuel Colman (the uncle of Katherine Notman) are listed as selling to the Notman’s and of which 8 are offered now at Jackson’s. One of the paintings acquired by the Notman’s at the 1903 auction, a large oil on canvas measuring 32 x 72 inches and titled, Kanawha River Valley, was donated by the Notman’s daughter (Mrs. David C. Prince-Winifred) and daughter-in law (Mrs. Arthur Notman) to the Smithsonian American Art Museum in 1968, collection number 1968.111.
Both of the Marsden Hartley paintings offered were likely acquired at the gallery of American photographer and modern art promoter Alfred Stieglitz (1864-1946). Stieglitz’s Little Galleries of the Photo-Secession (also known as gallery 291-a reference to the address on Fifth Avenue) was one of the first galleries to exhibit modern art in America. The offered paintings (Autumn Maine Landscape and Song of Winter Landscape) would seem to correspond to a group of paintings exhibited by Hartley in May of 1909 from a series titled Songs of Autumn and Songs of Winter.
The likely connection with the Notman’s and Stieglitz’s gallery was the relationship between Katherine Notman and artist Pamela Colman Smith (1878-1951), who were first cousins as well as nieces of artist Samuel Colman. In 1907, Alfred Stieglitz gave Pamela Colman Smith an exhibition of her paintings in New York at his Little Galleries of the Photo-Secession making Smith the first painter to have a show at what had been until then a gallery devoted exclusively to the photographic avant-garde. Stieglitz was intrigued by Smith's synesthetic sensibility; in this period, Smith would paint visions that came to her while listening to music. The show was successful enough that Stieglitz issued a platinum print portfolio of 22 of her paintings and showed her work twice more, in 1908 and 1909. It was the year of her last show there (1909) which corresponds with the time period of exhibitions of Marsden Hartley’s and John Marin’s works now offered for sale at this auction. Another possible connection between the Notman family and Stieglitz is the Notman’s relationship (albeit distant) to the noted Scottish born Canadian photographer, William Notman (1826-1891), who had a studio in New York and whose work was known by Stieglitz.
Both of the Hartley’s in the Notman collection remain in what are most certainly their original frames by George F. Of, a noted New York frame maker who it is well known to have worked closely with Stieglitz and the modernist artist he exhibited. Of the five John Marin (1870-1953) watercolors being offered from the Notman collection, three retain their original “Photo-Secession” gallery label and all would appear to be referenced in Sheldon Reich’s catalogue Raisonne on John Marin. Additionally they too, with the exception of one, are contained in frames by George F. Of.
Also included in the Notman collection are watercolors by Robert Swain Gifford (1840-1905) – a founding member of the American Watercolorist Society, as well as Charles Louis Mozin (1806-1862), Paul Marny (1829-1914), oils by Adirondacks painter George C. Parker (1862-1934) and drypoint etchings by Paul Cesar-Helleu (1859-1927) and Whistler. Additionally, a few pieces of decorative arts will also be offered including three southwest Native American pieces collected by Notman’s when visiting the copper mines in Arizona that his firm managed, as well as a piece of Tiffany and some American art pottery.
The collection now being offered made its way to Iowa from Brooklyn via the son of Arthur Notman (1882-1961), John Hancock Notman (1919-2006), who moved to Clinton, Iowa in 1949 where he would eventually become the general manager of the Clinton Herald Newspaper and the Trenton (NJ) Times Newspaper. His wife Gertrud (née Genske) of 57 years, died in Clinton in the year 2015.
Jackson’s International is indeed honored to present this wonderful collection to a generation of new art enthusiasts.